First Baptist Church organizes choir
The First Baptist chorus is the first documented vocal group in the city.
The First Baptist chorus is the first documented vocal group in the city.
A traveling theatrical group presents the first theatrical production on New Year’s Eve, “The Doctor’s Courtship” and “Jealous Lover.” The performances take place in the dining room of Thomas Carter’s tavern, the Rosebush Tavern.
The Society for Cultivation of Church Music becomes the first voluntary organization to promote the arts in Indianapolis.
The state library opens with the secretary of state acting as librarian. The General Assembly establishes it to provide library service to the legislature, state government officials, and other governmental personnel.
The society forms as the city’s first secular music group. It includes singers and instrumental musicians.
Meeting in Indianapolis, Indiana civic leaders organize the society to ensure that the history of the state is preserved and shared.
James Blake presents the piano to his new wife Eliza. She gives small concerts in her home.
After forming in June, the Marion County Agriculture Society plans the first Marion County fair, which is held on October 30–31 at the Courthouse Square.
The troupe of actors travels from Cincinnati to perform in the first plays to appear in Indianapolis since 1823.
Under pastor Henry Ward Beecher, the church organizes a music school and sponsors a small orchestra to accompany the congregation’s choir.
The band becomes the first secular musical group that performs regularly. It folds in 1845.
Called the Indianapolis Thespian Corps, the community theater company first performs Pocahontas by social reformer, author, and Indiana statesman Robert Dale Owen.
The painter maintains a studio in the city for over 50 years and is the major figure in the early development of the visual arts in the city.
The Marion County Library forms as a subscription library under the provisions of the 1816 Indiana constitution. It is housed in the basement of the county courthouse.
With the completion of the Madison and Indianapolis Railroad, musicians and actors begin coming to the city regularly from other parts of the country to perform.
Located on West Washington Street, the Indianapolis Turngemeinde promotes physical fitness, freethought, liberal politics, and German language and culture.
Created as a venue for exchanging ideas to improve agricultural productivity, the state’s first fair runs October 20-22. Around 30,000 people pay admission to see exhibits featuring agricultural products.
Nathaniel Bolton, the state librarian, delivers what may have been the first lecture on Indianapolis history. It is not published until 1897.
Although Lieber starts the business for stationery and bookbinding, he later includes an art gallery, which becomes important for mounting art exhibitions.
Seven young German American men who enjoy singing organize the Maennerchor. The group develops into an amateur music society of distinction, influencing the musical culture of Indianapolis.
Professor George Root organizes the four-day event devoted to instruction and performance.
Local attorney Ignatius Brown publishes a history of the city, which appears in the 1857 city directory. It was the first historical sketch of Indianapolis.
Hays, a painter and early photographer, becomes the teacher of nationally known artist William Merritt Chase and painter John W. Love, who founds the city’s first art school.
The Metropolitan opens as Indianapolis’ first purpose-built theater complete with gallery, vaulted ceilings, and frescoes. It is later renamed the Park.
Eunice Beecher, the wife of influential Presbyterian pastor Henry Ward Beecher, sets her autobiographical novel principally in Indianapolis. Her depiction of the city is so unflattering that local schools and libraries ban it.
The Handel and Haydn Society organizes the opera production.
Directed by Max Leckner, a pianist and a leader of the Maennerchor German Singing Society, the Philharmonic begins offering weekly concerts.
George Loomis begins teaching public school students music and creates his own teaching manual, Progressive Music Lessons, because no published instructional materials exist.
Governor Oliver P. Morton recruits Merrill to write the history of Indiana’s soldiers in the conflict, considered the most comprehensive history of the state’s military partcipation in the Civil War.
The North American Saengerbund’s 15th National Saengerfest begins in Indianapolis. It lasts for four days and includes three concerts, a parade, a grand ball, and a picnic.
Governor Baker commissions portraits of Indiana governors. The collection grows to include portraits of nearly all Indiana governors.
Carl Weegman, the first director of the Maennerchor German singing society, organizes the school and operates it until his death in 1900.
The merger of the male singing sections of two German secret fraternal organizations, the Druiden Lodge and the Rothmaenner (“Red Men”) creates the Indianapolis Liederkranz.
Located in one room of the high school building at the northeast corner of Pennsylvania and Michigan streets, the library begins with 12,790 volumes ready for 500 registered borrowers.
Suffragist May Wright Sewall, along with other socially prominent women, organizes the club to offer women the opportunity to enjoy social interaction and intellectual actvities outside the home.
The Grand replaces the Park Theater as the preeminent venue for serious theater and variety acts. It closes in 1964.
Six men establish the Indianapolis Literary Club . They model the club after the Chicago and Cincinnati men’s literary clubs and the Indianapolis Woman’s Club.
Indiana artists John W. Love and James F. Gookins found the professional art school, which folds in 1879 because of a lack of funding.
Nine young women gather in a parlor to spend a musical afternoon together. They establish the Indianapolis Matinee Musicale, an organization for the study and performance of music.
After the first Indiana School of Art closes, some of its former students, including painter William Forsyth, create the Bohe Club, short for Bohemian, to pursue sketching and etching.
Wife of state librarian and publisher of the Indianapolis Gazette Nathaniel Bolton, she describes the early landscape and life of Indiana in her work.
Herman Lieber, owner of the H. Lieber Company, the Fletcher family of bankers, and others sponsor the artists for study at the Royal Academy of Painting in Munich. William Forsyth follows them there in December 1881.
Hamlet is the theater’s premiere production. The first section of the hotel, constructed around the theater, follows in 1884 and a second section in 1896.
Printing the second edition of the Hoosier poet’s The Old Swimmin’-Hole and ‘Leven More Poems launches the Indianapolis publishing firm’s recognition on the national scene.
First comprised of only men and boys, the choir through the years earns an international reputation for musical excellence.
Shortly after the organization is incorporated in October, the association holds an exhibition of 453 works by 137 artists. It runs for three weeks at the English Opera House and establishes the Art Association on the city’s cultural scene.
Roda E. Selleck, an artist and educator, begins offering courses in drawing at the high school. The Art Department expands to include other media, as well as art history and appreciation.
Sulgrove, editor of the Indianapolis Journal, publishes the comprehensive political and biographical narrative.
Dedicated to the goals of the labor reform movement in the late 19th century, the tradesmen establish the group to sing songs of solidarity and justice for the working classes.
The hall, which adjoins the City Market, opens as an important public meeting place with the Grand Army of the Republic Music Festival. The festival raises $5,000 for construction of the Soldiers and Sailors Monument on the Circle.
A group of writers convenes at Plymouth Church to establish the organization and elects Crawfordsville novelist Maurice Thompson president. The association remains active until 1907.
Construction officially begins on the Civil War Memorial using the design submitted by German architect Bruno Schmitz and funds that the General Assembly appropriated for this purpose in 1887.
Located on the north side of Market Street just west of Illinois Street, the Cyclorama building exhibits life-size Civil War murals and later serves as a zoo.
The Propylaeum’s Articles of Association provides that stock is acquired, purchased, and held only by women. The building is to be used for cultural and educational pursuits, particularly for women.
Young women join the amateur theater group, first known as the Matinee Club. It reorganizes as the Dramatic Club in 1890 with the addition of male members.
The event follows the success of an 1886 music festival held for the dedication of Tomlinson Hall. It takes place annually until 1898.
Lewis becomes the first African American in the U.S. to work as an editorial illustrator and cartoonist.
Following a trend begun in the U.S. in Boston in 1882, the theater becomes the first in the city to use electric lighting, Most theaters switch to electric lighting during the 1890s.
Mary Lakin Steele, the first wife of painter T. C. Steele, sparks the idea of forming a club to discuss the arts in Indianapolis. It promotes active participation in and support of the arts in all its forms.
Guy and Domenico Montani, local Italian musicians, help organize the city’s first musicians’ union and the third such union in the country.
Organized in the home of suffragist May Wright Sewall, the Contemporary Club cultivates intellectual pursuits and explores pressing social issues and concerns.
The Art Association of Indianapolis incorporates the art school, which T. C. Steele opened in 1889. The school closes in 1897.
The Indiana State Fair opens at its present site at East 38th Street and Fall Creek Parkway with 72 buildings, a mile racetrack, and a 6,000-seat grandstand.
Bowles, an artist and employee of the H. Lieber Company, founds the avant-garde art journal, the first magazine in its field. Hollenbeck Press prints the publication in Indianapolis until 1895.
The Central Art Association brings together the works of J. Ottis Adams, William Forsyth, Richard B. Gruelle, Otto Stark, and T. C. Steele in a show in Chicago, titled “Five Hoosier Painters.”
Herron bequeaths $250,000 to the Art Association of Indianapolis with the stipulation that the funds be used to build a museum and art school bearing his name.
Four private music teachers establish the school, which merges with the Indiana College of Music and Fine Arts in 1928 and is renamed the Arthur Jordan Conservatory of Music. The conservatory becomes part of Butler University in 1953.
Herbert Lieber gives the dedication speech, lauding the structure as the “embodiment of the Americanizing process.” Designed by Bernard Vonnegut, the building becomes the center of German American culture.
The book propels Tarkington, an Indianapolis native, into the national limelight. In Indianapolis, the book is less well received, with residents feeling mocked.
The hall, designed by Vonnegut & Bohn and completed in November 1900, contains a gym bordered by a proscenium stage and a bowling alley. The building serves the group of Turners that broke away from the Socialer Turnverein to form its own organization in 1893.
Using a bequest left by John Herron, the Art Association of Indianapolis establishes the Institute to operate an art school and museum. The art school opens with 10 pupils and 5 teachers on Talbott Street at T. C. Steele’s former home.
At the gala event, Civil War general and author Lew Wallace serves as master of ceremonies, and Hoosier poet James Whitcomb Riley recites a poem that John Philip Sousa transformed into a march.
Hubbard creates the folksy character, who spouts country wisdom, during the 1904 presidential election. The character becomes the basis of Hubbard’s nationally syndicated newspaper column. Books featuring the character begin publication in 1906.
The Indianapolis author publishes the national bestseller and his most famous novel. The novel is set in Indiana.
The association organizes low-cost concerts that are accessible to a wider audience.
Cottman, a historian, establishes the Indiana Magazine of History and serves as its editor, publisher, printer, and author until the Indiana Historical Society takes it over in 1907.
The city’s first movie theater—the Bijou, a converted vaudeville house—opens on East Washington Street. Bijou shows half-hour films viewed during the lunch hour.
Founded as part of the Indiana State Library and housed in the State House, the archives collect and preserve state government records of value.
The Indianapolis ragtime pianist-composer publishes “Dusty Rag” in May. She publishes 19 pieces between 1908 and 1912, several of which are financial successes.
Dunn’s two-volume work serves as the definitive resource on early Indianapolis history.
Ona Bryant Talbot begins her own organization aimed at bringing internationally known music artists to Indianapolis audiences.
The Shuberts, important U.S. professional theater owners and operators, lease the theater from 1910 to 1930 and bring in a variety of events and shows, including Broadway musicals. It serves as a home for the Indianapolis Symphony Orchestra from 1930 to 1962 and is renamed Old National Theatre in 2014.
The orchestra, composed primarily of German musicians, produces seven seasons of concerts. It folds in November 1917 because of World War I, anti-German sentiment.
A Hoosier Chronicle, a novel written by Indianapolis author Meredith Nicholson, explores politics and society in central Indiana, particularly Indianapolis, in the early 20th century.
Tarkington bases his juvenile Penrod stories upon his own experiences growing up in Indianapolis. First serialized in magazines in 1913, the stories are collected and published in book form and followed by two other collections.
Founded as the first community theater in the city, it becomes known as Civic Theatre of Indianapolis in 1929 and then Booth Tarkington Civic Theater when it moves to Carmel in 2011.
St. Margaret’s Hospital Guild provides funding to beautify City Hospital’s new Burdsall Unit. Sixteen Indiana artists create large-scale murals to cover the units’ interior walls.
The Indianapolis Parks Department starts its annual free summer concert series at Garfield Park.
The publicly supported philanthropic institution is created to promote the welfare of residents of Indianapolis including human services, education, libraries, arts and culture, and community development.
Former cartoonist John Barton Gruelle patents his Raggedy Ann doll. Three years later, he publishes Raggedy Ann Stories, followed by a Raggedy Andy volume.
U.S. Secretary of the Interior Franklin K. Lane calls for the national observance of poet James Whitcomb Riley’s birthday. Locally, the full day of events celebrating Riley includes national dignitaries and literary figures,
Led by A. L. Block and Robert Lieber, investors contribute over $500,000 to build a new theater. Circle Theatre opens as Indianapolis’ first building constructed specifically for feature-length motion pictures.
The Centennial Jubilee for the state is held October 2-15 in Indianapolis. The city hosts expositions, parades, athletic contests, concerts, drama and dance programs, and commemorative addresses by politicians, including President Woodrow Wilson.
Forty-six prominent artists, including T. C. Steele, Carl Graf, and Marie Goth, found the club. It sponsors statewide exhibitions, lectures, demonstrations, and workshops.
After winning the top prize in the Indiana Daughters of the American Revolution-sponsored juried flag competition held for the state’s centennial in 1916, Hadley’s design becomes the official state flag.
The new building, constructed on St. Clair Street between Meridian and Pennsylvania streets, becomes the anchor of the library system.
The Indianapolis author wins the prize for the Magnificent Ambersons, set in the thinly disguised Indianapolis Woodruff Place neighborhood. He wins a second Pulitzer in 1922 with his novel Alice Adams, also based on life in the city.
The club serves as the center of Slovene community activities.
A branch of the National Association of Negro Musicians, the club works to identify and to develop the musical talent of young African Americans.
The centennial celebration takes place June 5-10. Festivities begin with a mass meeting at Tomlinson Hall. Other events include musical performances, a street parade, a pageant, and a riverboat display.
Indianapolis native Noble Sissle writes and produces the musical with three other musicians. It marks the revival of African American folk humor, jazz dance, and Ragtime.
The James Whitcomb Riley Museum Home on Lockerbie Street opens as a fundraiser for the construction of Riley Hospital for Children.
Carey and several other civic leaders found the museum in the Propylaeum’s carriage house. Children and their families donate to its collections.
The Indiana Historical Bureau promotes the study of Indiana history by providing resources to aid citizens in learning about the state and its people.
A member of the interwar period “Lost Generation” Paris group of authors, the Indianapolis native begins her 50-year career writing for the New Yorker with the appearance of her first semi-monthly “Letter from Paris.”
Ruth Page, a ballet dancer, makes her Metropolitan Opera debut in Smetana’s The Bartered Bride. She most likely is the first Indianapolis native to appear on the Metropolitan Opera stage. As a choreographer, she pioneers the use of American themes in the Russian-dominated field.
General John J. Pershing, commander of the American Expeditionary Forces in Europe during World War I, attends the event and lays the memorial’s cornerstone.
The state-of-the-art movie palace is the largest in the state. It also includes the Roof Ballroom, where some of the most famous musicians of the big band era perform, including Tommy Dorsey, Louis Armstrong, and Cab Calloway.
Irvington holds its first Halloween festival, celebrating the holiday with a costume parade and contest, decorated streets and storefronts, and a street dance.
Completed eight years after the death of Madam C. J. Walker, the finished segments of the theatre building open during Christmas week. The entire building opens in August 1928 during the annual Madam Walker Convention.
The duo’s first recording, “How Long, How Long Blues,” sells hundreds of thousands of copies and establishes the pair as innovators in the newly emerging urban blues style.
A colony of Irvington artists begins holding exhibitions featuring their works along with lectures, gallery talks, and art demonstrations. It takes place annually until 1937.
Following the release of the first talkie, The Jazz Singer, in 1927, the Apollo Theatre installs the first permanent movie sound equipment in the city and shows its first regular sound feature. By 1930, most major movie theaters are wired for sound.
Pro Patria, the 25-foot-tall, seven-ton statue, is created by New York artist Henry Herring. The work is reputed to be the largest sculptured bronze casting made in America at the time.
Martens creates the company to help local music artists and to bring a steady stream of classical music and dance performers to Indianapolis.
Ferdinand Schaefer begins the Indianapolis Symphony Orchestra and serves as the orchestra’s conductor until the 1937–1938 season. The first concert takes place at Shortridge High School.
Denver and Sea Ferguson, African American leaders in the jazz and entertainment scene, open the Trianon Ballroom at 244 West Vermont Street, followed by the Cotton Club, also on Vermont Street, in 1933. In 1937, they open the Royal Palm Gardens and Sunset Terrace Ballroom on Indiana Avenue.
Painter and educator, Donald Mattison becomes the head of Herron and replaces many of the faculty members to boost the school’s national reputation.
Members of Holy Rosary Catholic parish create the event to celebrate Italian heritage, raise funds, and increase church membership.
The pharmaceutical entrepreneur and philanthropist purchases the William Conner house in Hamilton County to preserve the site where state capital commissioners first met in 1820 and to recreate pioneer Indiana for the visiting public.
The Society of Printmakers is the first outlet for the work of artists of the genre in the state.
Ten women form the Indianapolis Art Students’ League with commercial artist and fine arts painter William F. Kaeser as their first teacher. The organization incorporates in 1938 and changes its name to Indianapolis Arts Center in 1996.
Designed by Indianapolis-based architecture firm Pierre & Wright, the building is the first permanent home of the Indiana State Library, Indiana Historical Bureau, and Indiana Historical Society.
Pharmaceutical executives J. K. Lilly Sr., Eli Lilly, and J. K. Lilly Jr. establish the foundation that provides support to many arts and culture organizations. Its gifts to such institutions as the Indianapolis Symphony Orchestra and the Children’s Museum help build their reputations on a national scale.
Grant Wright Christian paints Early and Present Day Indianapolis Life and Mail—Transportation and Delivery as part of a Works Progress Administration project.
Entertainment entrepreneur Denver Ferguson opens Indiana Avenue’s Sunset Terrace that attracts some of the nation’s most prominent Black performers.
After a successful engagement at the Sunset Ballroom on Indiana Avenue, the family moves to Indianapolis and establishes a jazz family dynasty that includes the Hampton Family Band and the Hampton Sisters (Virtue, Aletra, Carmelita, and Dawn).
Musical conductor Fabien Sevitsky initiates creation of the choir to accompany the Indianapolis Symphony Orchestra in a performance of Beethoven’s Symphony No. 9 at the Murat Temple.
The upscale theater opens with much fanfare, attracting 28 Hollywood stars. In 1977, the space is remodeled into a nightclub and music venue.
Former Indianapolis Symphony Orchestra percussionist Herman H. Rinne establishes the ensemble as a community orchestra.
Located in the Lawrence Township district, the drive-in can accommodate 500 cars. The theater opens with two showtimes of That’s Right, You’re Wrong.
The annual art exhibition moves from Chicago to Indianapolis and is held at William H. Block Company.
Amateur violinist Leonard Strauss and a core of local music enthusiasts presents the society’s first concert on April 12, 1944, with the Musical Art Quartet. The concert attracts nearly 500 attendees.
A production of Gilbert and Sullivan’s Pirates of Penzance, staged at Garfield Park, marks the beginning of Starlight Musicals.
National legend Basie recognizes Johnson’s talent, and the trumpeter, who honed his skills at Indiana Avenue clubs, spends a year touring and recording with the jazz musician’s band.
The pharmaceutical entrepreneur and philanthropist makes additional gifts of Chinese art to the museum through 1961. The Lilly collection, one of the most significant of its kind, forms the core of the museum’s Asian collections.
Baskett, an Indianapolis native, is awarded an honorary Oscar for his controversial portrayal of Uncle Remus in Song of the South.
David Kresz Rubins, a sculptor and faculty member at the Herron School of Art, creates the 3-foot-tall bronze sculpture. Ayres employees place it on the building’s clock the day before Thanksgiving, sparking a new tradition.
Philanthropists George and Edith Clowes create the fund to support education and the literary, performing, and visual arts.
The Indianapolis Symphony Orchestra’s new programming featuring light semiclassic and popular music debuts at the Indiana Theatre Roof Ballroom
The Indianapolis Symphony Orchestra is listed in the top 10 of the nation’s orchestras.
The summer stock theater contracts nationally recognized stage and screen personalities to headline casts composed largely of local talent.
The Indianapolis native’s thriller novel is well received and adapted into both a play and a film a year later.
Indiana architect Robert Frost Daggett serves as architect for the building on the Butler University campus, which houses the largest telescope in Indiana.
The all-volunteer nonprofit organization produces musicals and other programs to provide education and training to nonprofessionals in the theater.
The open-air Hilton U. Brown Theatre located on the south side of the Butler Bowl becomes the permanent home of Starlight Musicals. The theater remains in operation until 1993.
Tony Hulman, the track’s owner, creates the museum along with Karl Kizer, who becomes its first director, to house the Speedway Hall of Fame and a collection of vintage racing cars.
Brown works for the Indianapolis Recorder, documenting African American life in the city.
A group of students from the Herron School of Art initiate the first Talbot Street Art Fair, located in the Herron-Morton Place neighborhood.
A nonprofit group of artists and art patrons organize the gallery to encourage the development of contemporary art and design in the city.
Emma Lou Thornbrough’s book sets the standard for histories of the Black experience in northern states.
Four civic-minded individuals create the first 500 Festival in just 60 days, which includes a parade, ball, and square dance. This community-led endeavor celebrates sports, health, and education.
The Eastside Art Center organizes the art show, which is likely the first in the nation to take place in a shopping mall.
Montgomery makes a name for himself while playing in clubs on Indiana Avenue. He records his first album with brothers Monk and Buddy on the Riverside record label.
Blue Note record company signs Hubbard for his debut album, Open Sesame. During the next year, he releases three more recordings—“Goin’ Up,” “Hub Cap,” and “Ready for Freddie.”
Created by Pierre Frist Goodrich, the fund emphasizes liberal education and the “Great Books” tradition. It publishes scholarly and accessible editions of classic works.
Founded as Historic Landmarks Foundation of Indiana, Indiana Landmarks grows from an all-volunteer group, which includes Eli Lilly, Calvin Hamilton, and H. Roll McLaughlin, to become the largest, nonprofit statewide preservation organization in the U.S.
A group of Filipino students and professionals interested in promoting the arts and culture of their country of origin form the club.
Arts for Learning, a community-based arts education program, educates school-age children about the arts. It is the largest and oldest provider of professional arts programs for children in Indiana.
Community leaders and local historians establish the society to collect and preserve local history materials, mark historic sites, and promote the preservation of historic structures in Indianapolis.
Compared to New York City’s Lincoln Center, Clowes Hall provides a world-class venue for the Indianapolis Symphony Orchestra until 1984 and hosts a variety of musical performances, including traveling Broadway shows.
The Irvington Historical Society is created to document and collect the history of the east side neighborhood.
Lilly makes Earlham College the owner of the living history museum. Earlham operates the farm and opens it up to school groups, clubs, and historical organizations.
The effort to establish a zoo, initiated 20 years earlier by newspaper columnist Lowell Nussbaum, finally succeeds. The zoo is located in Washington Park on East 30th Street.
The Beatles play two shows at the Indiana State Fair, one at 6 p.m. in the Coliseum and the second at 9:30 in the Grandstand.
The Cathedral Women of Christ Church Cathedral organizes the Strawberry Festival to raise funds for charity. The women sell 100 homemade strawberry shortcakes during the festival, selling out in two hours.
The Indianapolis native and author earns the National Book Award for Arts and Letters for Paris Jounals, 1944-1965.
Located in the Indiana State Fairgrounds, the museum opens as part of Hook’s Drug Stores’ commemoration of the 150th anniversary of Indiana’s admission to the Union.
First known as the Festival Music Society, the group promotes early classical music through educational opportunities and performances. The organization holds its first Early Music Festival in 1967.
The commission is a government agency that functions in cooperation with the City of Indianapolis to preserve both the character and fabric of historically significant areas and structures in Marion County.
The Indianapolis Zoo becomes the first zoo in the U.S to initiate a holiday event featuring light shows and family activities.
Previously housed in various locations, including a basement, the museum finally has its own building—the renovated former Indianapolis City Hall at Alabama and Ohio streets.
The Herron School of Art becomes part of Indiana University, and the Art Association of Indianapolis makes plans to move the museum to Oldfields, the former estate of J. K. Lilly Jr. The Art Association becomes the Indianapolis Museum of Art in 1969.
The Penrod Society, established earlier this same year, holds its first art fair. The fair goes on to become one of the largest single-day arts fairs in the country.
An Indianapolis native, trombonist, and composer, Baker establishes one of the first jazz studies programs at an American university. It becomes a highly respected and internationally recognized academic jazz program.
Eli Lilly and Company research scientist Norbert Neuss, along with other Lilly colleagues, forms a corporation to broadcast classical music to the radio listeners of Indianapolis. It becomes known as Classical Music Indy in 2013.
In his first book, Knight focuses on his experiences in the Indiana State Prison after his arrest for robbery. It establishes him as a poet of the national Black Arts Movement, in which artists embrace and celebrate their African American heritage.
Established by the first Indian families that come to the city, the India Association of Indianapolis promotes the cultural activities of India, fosters cultural exchange, and carries out educational and charitable activities.
The Indiana General Assembly and the National Endowment for the Arts funds the statewide arts agency that provides leadership for the public stewardship of artistic resources for all the state’s citizens.
Housed in the Old Pathology Building at Central State Hospital, the museum preserves the building and collects artifacts related to the history of medicine.
Vonnegut, an Indianapolis native, suddenly becomes famous with the release of his anti-war book, based on his experience in surviving the firebombing of Dresden during World War II. The book becomes a bestseller and instant classic.
In the poetry collection, Evans asserts the role of Black women in creating African American culture and instilling resiliency in the community.
The novel explores the narrow-minded and confining attitudes of Indianapolis during the 1950s. Despite being poorly received in Indianapolis, it quickly climbs the bestseller list.
The institution, formerly known as the Herron Art Museum, opens at Oldfields, the former estate of J. K. Lilly Jr., with the new Krannert Pavilion.
Dave Lucas and Joe Halderman establish Sunshine Promotions to promote local rock concerts in Indiana. The company later builds Deer Creek Music Center, now Ruoff Music Center, a 20,000-capacity amphitheater in Hamilton County.
The Hispano-American Association, responding to the needs of the city’s Hispanic population, opens El Centro Hispano/The Hispanic Center with funding and support from the government and several churches.
Celebrations to mark the 150th anniversary of the city’s founding begin in January and continue throughout 1971. Mayor Richard G. Lugar launches the festivities at an evening performance of “We Celebrate Our City,” based on Edward Leary’s narrative history.
The Indianapolis Art Center and the Broad Ripple Village Association cosponsor the event to highlight the work of local artists. Approximately 100 artists participate in the first fair.
The annual exposition holds its inaugural event, a one-day gathering, at the Indiana State Fairgrounds. It aims to highlight the talents and achievements of African Americans and identify and address their challenges.
In residence at the Christian Theological Seminary, it is the only seminary-sponsored community theater in the U.S. It remains in operation until 2002.
The Indiana Convention Center increases the city’s capacity to host large meetings and events for the tourism industry. It helps revitalize downtown Indianapolis and sets the city on a path to become a major convention site.
The need for interpreters and translators for the North Atlantic Treaty Organization (NATO) Conference of Mayors in 1973 sparks the formation of the International Center. It later grows to provide services to local ethnic groups.
Well-known as a community leader, Indian immigrant K. P. Singh establishes his business to market his hand-drawn drawings and prints of Indianapolis landmarks and other buildings across the world. His artwork is featured in many public and private collections.
The equity dance company brings dance into public schools. The group holds its first concert in 1978.
Covering the period from 1817 to 1866, Fletcher’s multi-volume diaries document the early history of the city.
The National Endowment for the Humanities collaborates with a group of five Indiana residents to establish the nonprofit to help carry out its work in the Hoosier State.
After coming to Indianapolis for IMA’s opening in 1970, the iconic Robert Indiana sculpture becomes a permanent museum installation.
The subdivision is the first of the city’s neighborhoods to be placed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for it to become a protected city historic district in 2001.
The theater company first resides at the Athenaeum. In 1980, the company moves to its present location, the Indiana Theatre on Washington Street.
Indianapolis Ballet Theatre forms as an outgrowth of the Civic Ballet Society of Indianapolis. Initially performing only for Indianapolis Public School audiences, the ballet programs prove successful and expand.
Beginning as part of a chain of dinner theaters, Beef & Boards becomes a privately owned venue that produces professional Broadway shows and plays featuring its own resident acting company.
Holy Trinity parish begins hosting Indy GreekFest, a festival aimed at celebrating and sharing Hellenic heritage and the Orthodox Christian faith.
Lockerbie Place is listed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for the neighborhood to become a protected city historic district in 1987.
Artist Elmer Taflinger designs the piece to display sculptor Karl Bitter’s “Races of Mankind,” which had been created in 1896 for the St. Paul Building in New York City.
Al Finch establishes the restaurant and music venue on College Avenue in South Broad Ripple. The restaurant has an eccentric vibe and features alternative music, including new wave and punk as well as other genres.
The association provides a sense of community to the Chinese in the city. It offers opportunities to showcase Chinese culture and heritage and to integrate with American society.
Following a complete renovation, the entire home of the Indianapolis U.S. president opens as a house museum with regular hours.
Former Indiana governor Roger D. Branigan presides over dedication of the living history museum’s 1836 pioneer village.
One of the first African American acting companies in Indianapolis, Soul People introduces actors and audiences to theater from a Black perspective.
Viktors Ziedonis, an immigrant from Daugavpils, Latvia, organizes the ensemble that becomes the orchestra in residence at the Palladium at the Center for the Performing Arts in 2011.
Opera enthusiasts organize the new opera company as a nonprofit corporation. Its first season is limited to a one-night performance of two short works.
Under the management of the International Center, the festival begins as part of the nation’s bicentennial. It provides a platform for various ethnic groups to showcase their contributions to the culture, history, and economy of Indiana.
The organization provides classic theater training to children. It is refounded in 2005 with a new focus on “Self-Empowerment Theatre.”
The Polish Cultural Society of Indiana organizes to heighten awareness of the contributions of residents of Polish descent to Indianapolis and the state.
New facilities for the Children’s Museum open with visits from U.S. First Lady Betty Ford and other dignitaries. It includes five floors of exhibit space, the Ruth Allison Lilly Theater, classrooms, and administrative offices.
At Market Square Arena, Presley performs all his hits to a crowd of 18,000 fans. The show receives mixed reviews, and the star takes a break from touring. Presley dies six weeks later.
The Broad Ripple movie theater, which opened in 1938, becomes a successful music venue, featuring local and national bands.
Writer and teacher Jim Powell founds the Indiana Writers Center to support local writers. The organization quickly grows from a small community group into a professional nonprofit organization.
The Indianapolis Public Library Foundation establishes the author lecture series to recognize Marian McFadden, director of the Indianapolis Public Library from 1944 to 1955 who left over $150,000 to the library.
The theater group, primarily made up of actors 50 years or older, presents its play in the Ruth Allison Theatre at The Children’s Museum of Indianapolis.
The Old Northside is added to the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for the neighborhood to become a protected city historic district in 1979.
Created as a nonprofit organization, the Madam Walker Urban Life Center, Inc., begins work to save the historic Walker Building from deterioration and demolition.
The free quarterly newsletter from the Indiana Historical Society includes articles on the political, social, and cultural history of Black people in Indiana.
Named for P. E. MacAllister, Indianapolis businessman and philanthropist, the competition brings together young opera singers nationwide to compete in Indianapolis for the largest nonrestricted monetary awards in North America.
The Indianapolis Historic Preservation Commission approves plans for the neighborhood to become a protected city historic district, and it is listed on the National Register of Historic Places in 1982.
Chatham Arch is listed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for Chatham Arch and Massachusetts Avenue to become a protected city historic district in 2006.
The Indiana Opera Theatre forms as a split with Indianapolis Opera, and the nationally recognized MacAllister Awards for aspiring opera singers becomes part of its operations. The company ceases to exist in 2002.
The first annual festival to celebrate the Latino community is a day-long event that takes place at the Indiana World War Memorial Plaza. It becomes part of La Plaza, Inc. in 2004.
Ophelia Wellington conceptualizes Freetown Village out of her desire to teach African American history. The organization begins as a live-action exhibit in the Indiana State Museum, portraying Black history. Freetown actors later travel the Midwest and recreate Indiana’s post-Civil War Black settlements.
The guild is dedicated to educating residents of Indiana about the art of puppetry.
Founded in 1979 in New York City, the music fellowship organization moves to Indianapolis because of its central location and affordability.
The gallery signals the birth of a contemporary downtown gallery district in Indianapolis. It sparks the growth of commercial art galleries in the area.
The Wholesale District is listed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for the area to become a protected city historic district in 1990.
The summer, outdoor, annual Indianapolis Symphony Orchestra series debuts at Conner Prairie.
Planning for the first quadrennial competition began in 1980 when Cathedral Arts asked Indiana University violinist and teacher Josef Gingold to be the founding jury president of a violin contest based in Indianapolis.
Lockefield Gardens, Herron-Morton Place, and Fountain Square are added to the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for Fountain Square and Lockefield Gardens to become protected city historic districts in 1984. Herron-Morton Place follows in 1986.
Previously a small, Mass Ave bar serving first and third-shift factory workers, it expands to include a stage for jazz performances.
Dorothy Webb, an IUPUI professor, initiates the competition that becomes known nationally for giving new playwrights opportunities to develop new works of theater for young audiences.
The nonprofit theatre opens under the leadership of founding artistic director Bryan Fonseca. Actors and crew are local residents.
The orchestra plays its first concerts in the medieval cloister of Trinity Episcopal Church.
Holy Rosary Catholic Church revives the annual festival, first established in 1934, to celebrate the Italian heritage of its surrounding neighborhood.
A benefit concert, featuring 14 leading Indianapolis jazz groups, highlights the day honoring Grandy’s jazz contributions.
ISO performs in the renovated movie palace for the first time. It becomes one of the few U.S. symphonies to own its venue.
The awards identify, encourage, and reward Marion County high school students who show great potential in dance, instrumental music, literature, theater, visual arts, and vocal music.
Hal Yeagy Jr. transforms the city’s oldest continuously operating bar into a blues venue that gains national recognition.
The Bobbs-Merrill Company imprint, based in Indianapolis since the mid-19th century, ends with the sales of its backlists to the MacMillan Company.
Ruth Lilly, niece of Eli Lilly, establishes the Ruth Lilly Poetry Prize, an annual $25,000 award for U.S. poets who warrant extraordinary recognition. The nation’s largest poetry prize is raised to $75,000 in 1993.
Taylor is cast in his most memorable role as Anthony Bouvier on the long-running CBS comedy series.
Performing at civic and cultural events in the city, in addition to its own concert series, the choir becomes one of the most admired youth choral programs in the country.
The Pan American Arts Festival, which runs through the Tenth Pan American Games in August 1987, celebrates the arts in the Western hemisphere. The Arts Council of Indianapolis works with nearly 40 local arts organizations to produce 200 events.
The society is founded to promote blues and jazz in Indianapolis.
Preserving the most significant architectural elements, the $30-million restoration focuses on retaining the experience of a station in its conversion to over 100 restaurants and shops.
The ensemble performs and promotes music of the 17th and 18th centuries using period instruments and historically informed performance practices.
Founded in the 1970s in Connecticut, the theater group moves to Indianapolis and performs at the Hilton Hotel for two seasons before moving into the Athenaeum’s renovated ballroom in 1990.
The Historical Society’s ownership of the W. H. Bass Photo Company Collection makes available to the public the largest surviving historic collection of photographs of 20th-century Indianapolis.
The Irvington Historical District is listed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for the neighborhood to become a protected historic city district in 2006.
The Greater Indianapolis Progress Committee organizes the Arts Council of Indianapolis as the city’s arts advocacy agency. It works to strengthen the relationship of the arts to economic development and the business community.
The City of Indianapolis contracts with the newly organized Arts Council of Indianapolis to grant $500,000 to local arts and cultural groups. The grant program becomes one of the Arts Council’s core functions each year.
Indianapolis Public Library artist-in-residence Anthony Radford organizes the showcase that highlights the works of the city’s top African American visual artists. It becomes an annual event.
The cultural and educational organization fosters cultural exchange between Indiana and Japan.
Theater director Ron Spencer establishes the theater in Fountain Square to produce plays that address controversial issues. It moves to Massachusetts Avenue in 1993 and becomes known as The District Theatre.
The Washington Park Zoo closes in November 1987 and by early December, the zoo’s 500 animals are transferred to the new facility in White River State Park.
The Arts Council of Indianapolis releases its first comprehensive listing of all nonprofit arts and cultural organizations in Marion County.
The Indiana Historical Society quarterly history magazine focuses on little-known people and events from Indiana’s past.
The Unigov included town is added to the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves the area’s plans to become a protected city historic conservation district in 1999.
The Arts Council of Indianapolis (ACI) releases a study of arts organizations in the city, carried out immediately after its incorporation in 1987, with the aim of devising a plan to better serve members of the arts community.
Sunshine Promotions of Indianapolis opens the $12 million Deer Creek Music Center, now Ruoff Music Center, located near Noblesville. The first concert, a benefit event, features gospel singer Sandi Patti, an Anderson, Indiana, native.
Located in White River State Park, the museum showcases Native American art and Western American art. It is named for its founder, Harrison Eiteljorg.
The Arts Council of Indianapolis awards recognize the support of businesses for the arts.
The chorus gives Central Indiana audiences high-caliber concerts while representing the LGBTQ community.
The foundation continues the legacy of philanthropist Allen Whitehill Clowes supporting charitable organizations that promote and preserve the arts and humanities.
Asante, a storyteller and performance artist, starts the African American children’s theatre, a community-based performing arts group.
The neighborhood is placed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for it to become a protected city historic conservation district in 2008.
The Pride Festival takes place at Monument Circle. With 3000 attendees at the festival, it becomes the largest event centered on supporting and celebrating the LGBT community.
The Arts Council of Indianapolis launches its technical assistance mini-grant program using funds received through its first National Endowment for the Arts grant award.
Founded in 1959 in New York City, the museum moves to Indianapolis because of the city’s growing reputation as a sports center. It subsequently moves to IUPUI in 1994 before transferring its entire collection to the Children’s Museum in 2018..
The Indianapolis Historic Preservation Commission approves the neighborhood’s plans to become a protected city historic district, and it is listed on the National Register of Historic Places.
The Arts Council releases A Community Cultural Strategic Plan for the Arts in Indianapolis. The strategic plan compares the city’s arts culture and funding with that of 50 of America’s largest cities, showing that Indianapolis ranks in the middle for most categories studied. The plan sets eight long-range goals to increase the stature of the arts in Indianapolis.
The St. Stephens Bulgarian and S.S. Constantine and Elena Romanian Orthodox Church partner with the St. Nicholas Serbian Orthodox Church to hold the festival that highlights the culture of these Balkan countries. St. Nicholas later sponsors the Serb Fest alone.
The American Pianists Association holds the unique competition that spans 13 months every 2 years to find the best aspiring young American jazz pianists.
Jeff Sparks, then executive director of a children’s home, founds the nonprofit organization to inspire “filmmakers and audiences through the transformative power of film.” Heartland curates and supports a variety of cinema from filmmakers and storytellers from around the world.
In his thinly veiled autobiographical novel, Indianapolis native and acclaimed critic Pinkney writes about a young, middle-class Black man growing up in the northern suburbs of Indianapolis in the 1960s. It wins the prestigious Los Angeles Times Art Seidenbaum Award for First Fiction.
Ransom Place is placed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for the neighborhood to become a protected city historic conservation district in 1998.
The Eiteljorg Museum of American Indians and Western Art holds its first Indian market to build support for and interest in Native American arts and cultures.
With a growing demand for classes, exhibitions, and services, the Indianapolis Arts League builds a new 40,000 square-foot facility in Broad Ripple. The new building opens in 1996, and the League changes its name to the Indianapolis Art Center.
The educational and public arts facility houses the university’s Department of Music and its Department of Art and Design, It includes a 500-seat performance hall named for Ruth Lilly, state-of-the-art rehearsal halls, and art studios.
The chorus seeks to present the LGBTQ community in a positive light, promote a spirit of pride, and build bridges of understanding.
The jazz club and restaurant moves into the former home of Crazy Al’s—a punk and new wave venue. It quickly becomes a hotspot for Indianapolis jazz musicians.
President Bill Clinton and the families of Martin Luther King Jr. and Robert F. Kennedy attend the event for the memorial that commemorates the spot where RFK made his famous speech upon hearing the news of MLK’s assassination, April 4, 1968.
Incorporation of the Metropolitan Youth Orchestra formalizes the program that Betty Perry initiated to remedy the lack of classical music training for African American youth.
The Museum celebrates and preserves the history and contributions of Central Indiana Fire Departments. The Museum opens in the remodeled Fire Station #2, the oldest remaining fire station building in the city.
The Indianapolis Historic Preservation Commission approves the neighborhood’s plans to become a protected city historic conservation district.
Indianapolis native Kenneth Brian Edmonds wins two Grammy Awards, one for his R&B Song “I’ll Make Love to You” and the other for Male R&B Vocal Performance in “When Can I See You.” He goes on to win his 13th Grammy in 2024 for his work “Snooze” from SZA, tying him with Michael Jackson for most wins.
It takes decades before survivors of the USS Indianapolis raise enough money to erect a memorial, which is located at the north end of Canal Walk. The dedication takes place on the 50th anniversary of the tragedy.
The Arts Council of Indianapolis operates the Artsgarden, built with funds from Lilly Endowment, Inc., as a performance and exhibition space.
The community center organizes to provide Chinese families in Indianapolis a place for children to learn Chinese language and culture. Its mission includes teaching Chinese to non-Chinese-speaking families and to promote Chinese culture and heritage.
The festival highlights Irish culture and the contributions Irish immigrants have made to the city.
The organization recognizes the rich jazz history of the city and provides support and resources for individuals and organizations working to promote jazz in the city. The Indy Jazz Fest, established in 1999, becomes its best-known program.
Indianapolis native and internationally known architect Michael Graves designs the building located in Broad Ripple.
The Spirit & Place Festival springs from the Project on Religion and Urban Culture, an initiative of The Polis Center at IUPUI. It brings together the arts, humanities, and religion to frame programs that address issues of concern to Indianapolis. The first festival features a conversation between John Updike, Kurt Vonnegut, and Dan Wakefield at Clowes Hall.
The Indiana Wind Symphony includes wind, brass, and percussion players who are all volunteers, The group becomes one of the original resident ensembles at the Palladium at the Center for the Performing Arts in Carmel in 2011.
Artistic Director Gregory Hancock establishes the professional theatrical and contemporary ballet company, combining ballet and modern dance with world music into its programming. It becomes the resident dance company of the Center for the Performing Arts in Carmel in 2011.
Monument Circle is listed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for it to become a protected city historic district in 2013.
The award recognizes the Indianapolis author’s contributions to raise science fiction to a creditable literary field.
The Crispus Attucks Museum opens at Crispus Attucks Middle School to raise consciousness about the heritage of the school and African American life and culture.
The Clowes Fund begins transferring ownership of the collection of European Masters paintings, valued at $55 million, to the museum.
Mayor Stephen L. Goldsmith doubles arts funding to $1.5 million, using $750K from the Capital Improvement Board and $750K from the city budget.
Designed by Eric Fulford and Anne Reed of Ninebark Studios, the memorial pays tribute to Indiana Medal of Honor recipients, dating to the Civil War. It is located on the north bank of Indiana Central Canal.
Part of the White River State Park and the Indianapolis Zoo, the gardens showcase more than 16,000 plants, exotic and native. Many species are rare or historic in value.
The Indianapolis Jazz Foundation establishes the annual Indy Jazz Fest—a community celebration of Indianapolis’ rich jazz legacy. The festival takes place over four days and features a long list of local and national jazz stars.
The Indiana Historical Society moves out of the Indiana State Library and into its own building along the Indiana Central Canal. The facility is complete with collections vault, conservation labs, a library, and experience spaces.
The Children’s Museum partners with the Indianapolis Public Library to create the first public library branch in a musem.
The Hall of Champions includes a grand hall honoring the heroics of past college athletes as well as a museum area with a theater and Exhibition Center.
A portion of the Unigov town is listed on the National Register of Historic Places. The Indianapolis Historic Preservation Commission approves plans for it to become a protected city historic conservation district in 2005.
The nonprofit community arts center, cultural promoter, and neighborhood activist organization opens in the building that was originally First Presbyterian Church in the Old Northside.
The Harrison Center for the Arts hosts the festival (formerly First Independent Music + Art Festival) to showcase original works by local musicians, visual artists, and crafters.
Created as a “museum without walls,” the contemporary art museum mounts exhibitions around Indianapolis to connect people to inspiring and innovative art.
The city and Lilly Endowment, Inc. plan to spend $10 million to lift the city’s arts and culture profile.
The Indianapolis Downtown Artists and Dealers Association promotes art, artists, and art dealers within a 20-block square of the center of the city. The organization dissolves in 2017.
Having outgrown its space at the old City Hall, the Indiana State Museum’s board approves a move to White River State Park. The museum’s new location adjoins a preexisting IMAX movie theater.
A steering committee of the Indianapolis Cultural Development Commission designates Broad Ripple, the Canal and White River State Park, Fountain Square, Massachusetts Avenue, and the Wholesale District as official Indianapolis Cultural Districts.
The Art Council of Indianapolis (AIC) and the Cultural Development Commission announce that public art is a priority to position the city as a world-class art destination. AIC commissions Freeman Whitehurst Group of Phoenix, Arizona, to complete the plan.
The tabletop gaming convention moves to the Indiana Convention Center in Indianapolis from Milwaukee to better accommodate the growing number of attendees. Gen Con soon becomes one of Indianapolis’ largest conventions.
Jim Walker and wife Shauta Marsh cofound Big Car Collaborative, which focuses on socially engaged art and cultural community development. The studio and gallery space features monthly exhibits.
Originally named the Indianapolis International Film Festival, the event features films from around the world that provide challenging and new perspectives.
FIESTA Indianapolis, El Centro Hispano, and the Hispanic Education Center merge to become La Plaza, Inc.
Already on the National Register of Historic Places (1987), the historic center of African American culture becomes a separate cultural district after area leaders appeal the decision that initially had made it part of the Canal and White River State Park District.
In connection with the exhibit that transports museumgoers to the world of the dinosaurs, the museum also funds a $27.5 million project for paleontological research.
At the age of 40, Angela Brown, who finds her niche in classical music while in college, makes her Metropolitan Opera debut in the title role of Verdi’s Aida.
Artistic directors Don Farrell, Cynthia Collins, and Judy Fitzgerald establish the Actors Theatre of Indiana that becomes the resident professional theater company of the Center for the Performing Arts in Carmel in 2011.
The Arts Council, in partnership with the Indianapolis Cultural Development Commission, creates and launches, Thomas Otterness in Indianapolis, which features 25 bronze sculptures of the famed public artist placed throughout the city.
The art school moves into the newly built Eskenazi Hall, a facility that triples the amount of space available to Herron students and includes a library, auditorium, gallery space, and several computer labs. It marks the unification of all IUPUI schools in one location.
As part of the 1999 new campus master plan, the art museum expands to feature the new Efroymson Family Entrance Pavilion, the Wood Gallery Pavilion, and Deer Zink Special Events Pavilion.
IndyFringe’s inaugural theatre festival launches with over 100 shows performed over 10 days. The festival goes on to become an annual summer event featuring local and national performers.
Hosted by the Asian American Alliance, Inc., Asian Fest celebrates the diverse Asian cultures of central Indiana.
Building on its awards of the same name established in 2005, the Children’s Museum opens the award-winning exhibition that features local AIDS activist Ryan White, holocaust victim Anne Frank, and civil rights activist Ruby Bridges.
Demolition of the mid-1970s annex and stacks makes way for the steel and glass tower that surrounds the historic 1917 building. The renovations double the size of the library.
Renamed The Cabaret, the professional nonprofit theater company leaves the Athenaeum and performs in a variety of venues. The Metzger Building, at 9th and Pennsylvania streets, becomes its permanent home for the 2018 season.
The first annual GermanFest at the Athenaeum highlights the strong German heritage in Indianapolis and raises funds for the maintenance and care of the building.
Michael Feinstein created the foundation in 2007 to preserve and promote the music of the Great American Songbook. He moves it to Carmel when he becomes artistic director for the Center for the Performing Arts.
Julia Whitehead founds the museum to commemorate the life and work of critically acclaimed author and Indianapolis native Kurt Vonnegut. The museum opens in 2011 and moves to a new location on Indiana Avenue in 2019.
Real estate entrepreneurs and civic leaders Eugene and Marilyn Glick provide funding for the award to honor the contributions of Indiana authors. The award moves from the Indianapolis Public Library Foundation to Indiana Humanities in 2020.
The Arts Council of Indianapolis creates Gallery 924 in response to the closure of 80 percent of the locally owned art exhibition spaces in the aftermath of the Great Recession.
The interactive art and nature park is one of the largest of its kind in the U.S. and includes art installations by national and international artists.
The IndyFringe theater festival organization establishes Onyxfest as a separate event to expose theatergoers to new and emerging Black playwrights and to counter the lack of diversity on stage and in audiences.
The free celebration of art and music forms through the unification of three previously separate gatherings: Fountain Square Art Fair, Fountain Square Art Parade, and Masterpiece in a Day.
The anchor of Carmel’s Center for the Performing Arts, the Pallaidium costs $126 million to complete. It includes 1,600 seats and boasts acoustic refinements throughout the hall.
Following a major capital campaign to which the Cook family of Bloomington contributed $17 million, Indiana Landmarks moves to the center, which originally was the building for Central Avenue Methodist Church.
The Schrott Center becomes the main performance venue for the Butler Theatre, Butler Ballet, and Butler School of Music.
The city commemorates the 10th anniversary of the tragedy with the dedication of the memorial. The structure contains two steel beams from Ground Zero in New York City.
After calling Indianapolis home for nearly 100 years, the oldest area community theatre debuts in its new home at Carmel’s Center for the Performing Arts
The Arts Council of Indianapolis commissions 34 artists to create 46 new public murals for the Super Bowl throughout Marion County.
The grassroots multicultural volunteer-operated organization forms with the goal of enhancing Latin-American art in the city.
The Arts Council of Indianapolis launches its comprehensive arts and cultural calendaring and database system.
Six years after the groundbreaking ceremony, the Indianapolis Cultural Trail is complete. The 8-mile urban bike and pedestrian path in downtown Indianapolis connects neighborhoods, cultural districts, and entertainment amenities. It also serves as the downtown hub for central Indiana’s greenway system.
NOPAL Cultural launches its first Dia de Muertos event at Studio B Gallery on Massachusetts Avenue. The organization begins its partnersip with the Eiteljorg Museum for the event in 2014.
The Children’s Museum receives the National Medal for Museum and Library Service for its commitment to its surrounding community.
The venue becomes known as Old National Centre. In 2016, the entertainment company Live Nation purchases the building.
The show, based in Indianapolis, is a weekly educational web series on YouTube that connects viewers to contemporary art through the artists who created it.
The area surrounding the historic City Market becomes the city’s seventh cultural district.
The feature-length film adaptation of local writer John Green’s book The Fault in Our Stars premieres at the Seattle Film Festival. It later opens number one at the box office. Set in Indianapolis, it features several iconic city locations.
Chreece, a combination of “cheers” and “peace,” is a single-day festival created to bring together and celebrate hip-hop artists from Indiana and the Midwest.
The fair, held at the Soldiers and Sailors Monument, provides a forum for regional artists to showcase and sell their work in a historically artistic setting.
Taylor, an Arsenal Tech High School alum, takes on the role of Mufasa in Broadway’s The Lion King. He has been a cast member in other roles in the musical since 2006.
The Arts Council of Indianapolis and the Indianapolis Motor Speedway partner to celebrate the 100th running of the Indianapolis 500 by commissioning 33 artists to create original “Welcome Race Fans” artwork. The initiative continues as an annual event.
The award recognizes the significant contributions she made to document Indiana’s Black heritage.
The young adult teenage detective story is set in Indianapolis.
Newfields becomes the home for the Indianapolis Museum of Art, Fairbanks Park, The Garden, Lily House, and the Elder Greenhouse. Newfields’ Miller House and Garden extends the Newfields brand into southern Indiana.
The center, located in the library’s West Reading Room, features a collection of books, interactive displays, and research tools to aid in exploring the Black experience in Indianapolis.
Modeled after traditional German holiday markets, the Carmel holiday festival opens in center green at the Center for the Performing Arts.
Indianapolis Ballet becomes the first resident ballet company to be based in the city since the demise of Indianapolis Ballet Theatre, also known as Ballet Internationale, in 2005.
The National Gallery of Art, in Washington, D.C., honors the popular painter for her artistic and philanthropic achievements.
The museum partners with IU Health’s Riley Children’s Hospital for its 7.5-acre “Sports Legends Experience” designed to encourage families to be active together. The collection of the National Art Museum of Sport transfers to the Children’s Museum as part of the project.
The Landmark for Peace memorial, site of Robert Kennedy Jr.’s famous 1968 speech upon the assassination of Martin Luther King Jr., is designated the Kennedy-King National Commemorative Site.
Americans for the Arts, the nation’s leading organization of advancing the arts and arts education, presents Jiffy Lube of Indiana with the Arts and Business Partnership Awards for its “Every Part Matters” murals painted on the exterior walls of nine oil change locations in Central Indiana.
The Arts Council of Indianapolis (AIC) begins its initiative to support nonprofit organizations and independent artists during the pandemic. By 2022, AIC raises more than $16 million to ensure #IndyKeeps Creating.
Arte Mexicano en Indiana organizes as a nonprofit that encourages and promotes Mexican art, music, and culture throughout the state.
A year after its relaunch, the board of Indianapolis Contemporary, formerly IDADA, decides to close the institution. Already at financial risk, Indianapolis Contemporary falls prey to the COVID-19 pandemic.
The Murals for Racial Justice Project, an initiative of the Arts Council of Indianapolis, commissions 22 Black artists to create 24 temporary murals on boarded-up storefronts in downtown Indianapolis. The works are later recreated on banners displayed at the Central Library and available for educational use by the community.
A block party is organized by Indy10 BLM to celebrate the start of the Black Lives Matter street mural painted on Indiana Avenue between the Walker Theater and the Urban League. Funding for the project, which hires Black artists to complete each of the letters, is provided by the Indianapolis Urban League and the Central Indiana Community Foundation. The street will later be repaved, covering the mural, as part of the planned expansion of the Indianapolis Cultural Trail.
The exhibition features the work of the 18 artists that created the Black Lives Matter mural on Indiana Avenue.
The Indianapolis Arts Council, in partnership with Indiana Sports Corp., develops the project with funding from Lilly Endowment, Inc. to highlight the city’s creative talent during the men’s NCAA basketball tournament. It employs artists who have lost income during the pandemic.
The Indiana State Museum opens “RESPONSE: Images and Sounds of a Movement,” which features six murals. The Arts Council of Indianapolis hosts “Art & Activism: One Year Later.” The Indianapolis Public Library holds a panel discussion with the previous summer’s mural artists and displays their work.
Cultural development firm GangGang establishes the Black fine arts fair with the goal of making the city an arts destination while educating the public about Black fine art.
A legacy project of the Indianapolis Bicentennial Commission, the digital Encyclopedia of Indianapolis updates and expands upon the original 1994 Encyclopedia of Indianapolis, adding new content to reflect developments in the culture and landscape of Indianapolis since 1994.
Landmarks expands the work of its African American committee to help identify, save, and celebrate historic African American sites throughout the state of Indiana.
The Arts Council of Indianapolis and the Indianapolis Bicentennial Commission partner with Rokh Research & Design Studio to complete an inventory that reveals 3,090 works of public art across Marion County.
The inclusion of 10 Black authors’ names whose works span pre-Civil War to the Civil Rights Movement and beyond are added to the walls of Central Library. The library aims to add additional names of authors of color in the years to come.
The Park Tudor graduate and inaugural 2019 Indianapolis Youth Poet Laureate is chosen among 65 finalists to become the National Youth Poet Laureate.
Following the resignation of its CEO after controversy over its stance on issues of diversity and inclusion, Newfields chooses Burnette to lead an action plan that includes a $20 million endowment to acquire works from marginalized artists, increased diversity on its board, and the institution of antiracism training. On November 10, 2023, Burnette abruptly announces her departure from the organization. Newfields provides no explanation for the move.
District Theatre establishes a development hub for Black theater artists and technicians and supports the production of six plays by Black Indiana playwrights set around historic Indiana Avenue. Named Black Theatre, the company is independent of DT and is the second Black professional equity theater established in the city.
The exhibition is a collaboration between Newfields and the 18 artists who originally came together to paint the Black Lives Matter Murals on Indiana Avenue in August 2020. Open through September 24, 2023, it highlights the original works of each of them.
Naptown African American Theater Collective, the first Black-owned professional equity theater in the city, debuts with Black Book, the 2019 winner of the Kennedy Center Outstanding New Work Production by award-winning playwright and actor Austin Dean Ashford. Phoenix Theater hosts the company’s first season.
The library system ends a book review policy that sparked weeks of intense controversy over the removal of local author John Green’s The Fault in Our Stars from its teen section.